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New Life Worship is team of musicians and songwriters whose single goal is to help people encounter Jesus. Every service, you will see that New Life is a strong local. MLB Park # 22 Day # 17. TEX @ DET. April.22/2012. Comerica Park By Chuck Booth (Lead Baseball Analyst/Website Owner): Follow @chuckbooth3024. The passenger exchange. 'The Salvation Army serves a vital need for the most vulnerable populations in our community. The safety of our clients and staff is of the highest priority in and. Austin Police Association - Local News. APD officer cleared in man’s death. By Claire Ricke. Published: March 3. Updated: March 3. AUSTIN (KXAN) — Austin police officer Martha Cameron will not be charged in the death of James F. Sizer from March 2. Five hours of testimony and seven witnesses later, the Grand Jury ruled in favor of Cameron who used a taser on a man causing him to hit his head and later die. Cameron was called to Sizer’s residence March 6, 2. Sizer was waiting for the officer outside his house located on the 1. Bittern Hollow. When Cameron arrived she demanded Sizer to get down on the ground. According to the press release, Sizer failed to comply leading to Cameron using a taser on him. Sizer fell and hit his head.• APD turning to detectives to cover officer shortage. He was treated for blunt force trauma overnight and later taken to jail. Sizer was released and died at his home March 1. A family member found Sizer deceased in a bathtub. The lawsuit filed last year against the officer and the city of Austin, states Cameron used excessive force leading to the wrongful death. The family’s attorneys claim Sizer did not have enough warning to get on the ground, which he was unable to do due to a medical condition. After he fell and hit his head on the concrete, the lawsuit said, Cameron “interrogated him as he was bleeding.”After being treated in the hospital, Sizer was charged for discharging a firearm. The lawsuit said the charges were filed lacking evidence. Last month, a SWAT officer who shot and killed a man who was firing shots at the department’s helicopter was also no billed by a grand jury. APD detectives to patrol, making up for officer shortage. Chris- Sadeghi. By Chris Sadeghihttp: //kxan. Published: March 3. Updated: March 3. USTIN (KXAN) — Facing recruiting challenges and a shortage of more than 1. Austin Police Department will be moving detectives and other non- patrol officers to the streets to boost the available manpower to respond to 9. Nothing we do is more important than responding to 9. APD Commander Joseph Chacon. As the population has exploded, the city and the department have struggled to fund and fill positions to keep pace. By asking detectives to work patrol for seven days at a time every four months, Chacon said it is a stopgap measure that helps serve the public’s safety and increase the amount of officers on the street with only a minimal impact on investigations.“By taking them out for a short period of time, it does not negatively affect caseload for that one week,” said Chacon. They can schedule their work, their interviews, their case flow around that week.”But the Austin Police Association does not believe the move is the best way to bridge the staffing gap. Association President Ken Casaday called for better patrol staffing after criticism of recently fired officer Geoffrey Freeman in the deadly shooting of David Joseph. Though he is happy the department is addressing the patrol staffing issue, he said overtime pay for officers already working daily patrol would be the least disruptive and most efficient method. APD said they were considering putting detectives on patrol even before Joseph’s death.“We are saying there is money for overtime and there should be money for overtime,” said Casaday. The city says the department has it and the department says they do not. So someone is not being honest.”Chacon said although they do try to limit overtime, they do pay officers overtime when necessary and it was not the driving factor in the decision to have detectives patrol.“This is more about consistency. We know we are going to have a good, strong base of officers working,” said Chacon. Some detectives on the department have not worked patrol in years and the department will require brief training, a refresher course of sorts, for updated policies. Many detectives wear plain clothes to work, but will be required to wear the standard duty uniform while on patrol. Casaday said detectives will be issued Tasers for patrol and must re- familiarize themselves with the patrol cars that have undergone technological changes over the years. He believes the issue of backfilling patrol positions is an issue that must be worked out when the collective bargaining agreement ends in 2. There are lots of things I don’t think the department thought about when they chose this method,” he said. Detectives] are not thrilled with it, but they understand they are police officers and they have to do what the chief tells them to do.”According to APD, there are 2. There are 6. 56 authorized positions assigned to patrol. Crimewatch: APD officers dealing with on- the- job injuries. By Noelle Newton. POSTED: MAR 2. 2 2. AM CDTUPDATED: MAR 2. AM CDTCLICK below to view the story online with video: http: //www. When police officers put on the badge, they don't just risk taking a bullet. They chance a lifetime of pain from on- the- job injuries. In this week's Crime Watch, FOX 7's Noelle Newton looks into the hundreds of injuries Austin police report each year and their passion to overcome and get back out there. Austin Police Detective Robert Holsonback battles through an intense strengthening treatment for a torn rotator cuff. Holsonback says he was reaching back for his shotgun in his patrol car during a pre- shift inspection when he felt a pull in his right shoulder. The overnight violent crime investigator has been on light duty since January. Coaching him along is a doctor who, 1. I was picked up and thrown while trying to arrest a guy who was trying to kill his girlfriend," said Detective Holsonback. The incident resulted in three herniated disks and extensive surgical repair."I had to have a two- level fusion. So I have two, six inch titanium rods and five titanium screws holding my lower back together now," said Holsonback. Holsonback credits Dr. Minors for getting him back on patrol. Hundreds of officers are hurt each year at APD. One of the more recent incidents involved an officer who was burned attempting to rescue a man from a vehicle that was on fire. Very few cases make headlines. In 2. 01. 4, 6. 45 injury reports were filed. Incidents included exposure to infectious diseases, hearing loss, assaults by suspects and falls during icy rescues. One officer missed 2. In 2. 01. 5, 6. 20 officers reported injuries. Mitch Slaymaker, deputy executive director for the Texas Municipal Police Association, says whatever the total is, you can easily double it. Not all officers will acknowledge their ailments."Several factors play into that. There's the machismo culture. You don't want to admit that you were an actual victim, they got the better of you, you got hurt. So you suck it up, you move on. It's part of the culture of policing," said Slaymaker. The TMPA only tracks officers assaulted in the line of duty. Statewide, 4,3. 30 officers reported being injured by a suspect in 2. The rest included some sort of weapon. Slaymaker has endured his fair share of pains."During 1. I've had a fractured tibia, a fractured fibula, hand, third degree ankle sprain, I've been knocked unconscious. Those are just the big ones," said Slaymaker. Dr. Minors refers to his law enforcement patients as occupational athletes. He treats them the same as the professional athletes in the photos hanging on his walls."They have to be game ready, or as we say service ready. They need to stay healthy and they need to recover quickly which is the same thing with a pro- athlete," said Minors. Minors hopes Holsonback can return to his normal shift in a month. Minors finds his tenacity inspiring."There is a deep commitment to the public," Minors said. He's one of those people that doesn't put himself first. It's about making sure everyone is safe, everyone within his power is safe. I have such respect for that. This is my way of giving back to all of these guys because I'm not a police officer, but I respect deeply what they do."back. APD fires officer who shot, killed David Joseph. By Claire Ricke and Calily Bien. Published: March 2. Updated: March 2. CLICK BELOW TO VIEW THE STORY WITH VIDEO http: //kxan. AUSTIN (KXAN) — The Austin police officer involved in last month’s deadly shooting of 1. David Joseph has been fired by the Austin Police Department. Officer Geoffrey Freeman, 4. Monday afternoon, but his attorney said he waived his rights to the hearing because he already answered all the questions the department asked. Since Freeman waived his right to a hearing, it was up to Chief Art Acevedo to determine his fate with the department. Police say Freeman shot and killed Joseph, who was unarmed and naked on Feb. North Austin. Freeman was originally called to an apartment complex in the 3. East Yager Lane for a report of a man chasing another man around the complex. When Freeman arrived, he spoke to the witness but was not able to immediately locate the suspect, until a short time later on Natures Bend. In a verbal statement given by Freeman at the scene, when he encountered Joseph he gave him several commands to stop, but Joseph continued to “charge” towards him. The Austin Police Department’s Chief of Staff Brian Manley said it was then that Freeman fired the shots at Joseph, which occurred out of frame from the officer’s dash camera. In a press conference Monday, Acevedo said after a long investigation involving Freeman’s supervisors and other department heads, he determined “based on the totality of circumstances, we didn’t agree that the officer’s use of deadly force was needed” and that it was not “justified in this case.” He goes on to say Freeman’s actions were not “consistent with the standards and training of the Austin Police Department.”READ: Officer Freeman’s disciplinary memohttps: //lintvkxan. According to Freeman’s disciplinary memo, Freeman “chose to confront Mr.
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Le. Procès. de. Jeanne. Arc. 1. 96. 2.(Robert. Bresson). DIVX. IT- Fr. Procès de Jeanne d'Arc is een Franse dramafilm uit 1962 onder regie van Robert Bresson. Verhaal. Er wordt een proces gevoerd tegen Jeanne d'Arc, die het Franse. Robert Bresson: Produced by. Procès de Jeanne d'Arc) is a 1962 historical film by the French director Robert. The Trial of Joan of Arc (1962) Au Hasard. When filmmaker Robert Bresson made Le Proces de Jeanne d'Arc, he broke with moviemaking tradition by taking a narrower, more realistic approach to the famed martyr's. Le. Procès. de. Jeanne. Arc. 1. 96. 2.(Robert. Bresson). DIVX. IT- Fr. Le. Procès. de. Jeanne. Arc. 1. 96. 2.(Robert. Bresson). DIVX. IT- Fr. MB添加时间:2. 01. 2- 0. Procès de Jeanne d'Arc de Robert Bresson (1. Analyse et critique du film. J’ai voulu tourner un film restituant dans son intégralité visuelle, sonore et parlante, le procès et la mort de Jeanne d’Arc. Jeanne parlait une langue d’une perfection admirable. Tout son procès est un vrai chef- d’œuvre. J‘ai pris volontairement très peu de liberté avec l’histoire. J’ai repoussé toute psychologie inutile, surtout pour Pierre Cauchon (NDR : L’évêque qui préside le tribunal). Les interrogatoires ne servent qu’à provoquer sur le visage de Jeanne ses impressions profondes, à enregistrer sur le film les mouvements de son âme. Le sujet véritable est Jeanne promise au feu et sa longue agonie. Il est aussi son aventure intérieure et l’énigme non élucidée de cette merveilleuse jeune fille dont nous n’aurons jamais la clef. Et enfin le sujet, c’est l’injustice prenant la figure de la justice, la sèche raison luttant contre l’inspiration, l’Illumination. L’intention profonde de Bresson en réalisant une œuvre sur Jeanne d’Arc, après que tant de réalisateurs en aient donné leur version (Otto Preminger dira d’ailleurs à Bresson lors de la présentation du film à Cannes : « Nous avons chacun notre Jeanne, la vôtre est la plus belle. C‘est par la précision des mots que se dessine Jeanne. Ce sont ses phrases qui permettent l’incarnation de ses pensées, la matérialisation de la spiritualité d’une personne habitée par des voix intérieures. Comme Dreyer avant lui, Bresson s’appuie sur les minutes du procès de condamnation. Le travail de construction de Bresson est admirable. De la montagne d’écrits que sont ces minutes, il réussit à extraire parfaitement la quintessence même du parcours de Jeanne. Bien sûr, la précision des paroles est un immense atout dans cette entreprise. Jean Guitton explique (Jeanne d’Arc à l’écran, n°1. Etudes cinématographiques, 1. Le tribunal était très consciencieux, c’étaient de très bons juristes. Ils voulaient condamner Jeanne de telle façon que son procès ne put être révisé. C’est grâce à cette minutie que Bresson nous fait revivre l’histoire et nous permet d’appréhender l’énigme que fut Jeanne d’Arc. Le Procès de Jeanne d’Arc est l’occasion pour le cinéaste de pousser plus avant sa recherche sur le son. Il bâtit véritablement son film sur la bande sonore, créant une musicalité sans l’appui de musique mais uniquement dans l’agencement des bruits et des dialogues. Le soin accordé à la diction, à la ponctuation, à la tonalité est extrême. Le film prend vie d’abord par la richesse du mixage. L’image suit le son qui est constamment mis en premier plan. Les scènes dialoguées reposent sur le rythme insufflé aux mots, accélérations, silences. Les regards, les gestes, l’image même viennent ensuite. Si Bresson utilise les gros plans, ils ne sur- signifient jamais ce qui est énoncé. Il y a aplanissement de ce qui est montré : des murs, des fissures, des bouts de table, des mains, des entraves, un crayon qui écrit… les plans se répètent, identiques d’un interrogatoire au suivant. La mise en scène tend à s’effacer au maximum. Neutralité des plans américains qui régissent la mécanique du film. Et quand un travelling arrière, unique, magnifique, vient suivre la marche de Jeanne vers le bûcher, la scène acquiert une force hors du commun. Bresson suit les petits pas de Jeanne qui semble se précipiter vers le bûcher. Cette course l’amène plus vite vers le ciel, qui est le dernier refuge qui lui reste. Et malgré cette neutralité, le film est d’une rapidité déconcertante. Le Procès de Jeanne d’Arc est filmé comme une bataille. Les champs/contrechamps sont secs et rapides. Les paroles sont souvent brèves, sèches. Les injonctions se multiplient, accélérant le récit. Passez outre ! ». Un combat qui se joue au son des roulements de tambour. L’interrogatoire lui- même est plein de vérité, de modernité. On se croirait dans un commissariat, celui de Pickpocket par exemple, où la méthode d’investigation consiste à faire répéter encore et encore les mêmes choses, à chercher l’épuisement de l’accusé. Des méthodes qui ne sont pas sans rappeler par ailleurs le travail de Bresson avec ses modèles. Cette tension constante est le fruit d’un travail d’orfèvre sur le montage de l’image et du son qui prouve une fois de plus que loin d’un minimalisme souvent reproché à Bresson, on est en présence d’un auteur qui témoigne d’une maîtrise parfaite du cinéma et de ses moyens. Mais la puissance du film tient également à la force de son personnage. Jeanne est insolente, pleine de vivacité, d’intrépidité. A la fois douce et courageuse, elle porte en elle l’éclat et la fougue de la jeunesse. C’est cette jeunesse qui lui permet d’aller au bout de son calvaire en refusant les concessions, de ne pas plier aux injonctions de juges qu’elle admire et respecte dans une certaine mesure, mais auxquels elle ne peut obéir, portée par des intérêts qui dépassent ceux matérialistes du dogme religieux. Jeanne est tiraillée entre ce qu’elle croit juste et ce qui est censé l’être. Le Procès se passe dans deux lieux : la cellule de Jeanne où elle se livre à son intimité, se laisse porter par ses voix et la salle d’audience où elle est jetée en pâture à ses juges. La géographie du film est ainsi un constant envahissement de sa cellule par cet extérieur synonyme de dégradation, de compromission. La porte de sa cellule est ainsi le passage par lequel se fait cette invasion. Qu’on vienne l’intimider, la torturer, la mettre en garde, la violer, c’est par son franchissement que ces attaques sont perpétrées. C’est très beau les portes qui s’ouvrent, qui se ferment, qui donnent sur le mystère non encore élucidé. C’est un rythme musical. Le mur de sa cellule est également percé d’un trou, fissure qui marque le viol moral, l’agression de son intimité. Il y a un combat qui se joue constamment entre le spirituel et le matériel. Ses juges essaient tant que possible de toucher, de briser son âme. Que ce soient des agressions corporelles, l’obligation de lui faire quitter ses habits d’hommes, c’est au corps en premier lieu qu’ils s’attaquent, car ils sont conscients que le corps est relié à l’âme. Aux mains enchaînées au début du film répondent celles liées au dos du poteau lors de sa mise à mort. Des entraves, qui sont doublées au cours du film tant Jeanne résiste mentalement, enserrent ses pieds, l’empêchent de s’envoler. Bien sûr, ils n’ont pas peur qu’elle s’enfuie, mais ils comptent bien en emprisonnant le corps, emprisonner l’âme. Et Jeanne s’envolera bel et bien dans les derniers plans du film. Images d’oiseaux et disparition de son corps sur le bûcher. Bresson ne filme pas des cendres ou des restes, mais une absence. Comme pour Pickpocket, le film prend une forme circulaire. La répétition du motif des entraves, mais aussi un son de cloches qui ouvre et ferme le film, enserrent l’instant du film au cœur de quelque chose de plus vaste. Le Procès de Jeanne d'Arc n’est pas conçu comme une fin, mais, tout comme Pickpocket, est un commencement. Il y a dans ces deux œuvres une vision de l’humanité pleine d’amour et d’optimisme, une croyance totale dans l’homme, dans sa capacité de se dépasser, de trouver le bonheur ou la grâce malgré l’horreur du monde dans lequel il évolue. La vision de Bresson va considérablement se noircir dans ses œuvres suivantes, et L’Argent va marquer un point de non retour. ![]() ![]()
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